Why Readers Matter More Than Writers Sometimes Think

From SRP author Mark Posey:

There’s a strange illusion in writing. We spend months — sometimes years — sitting alone in a room making things up. Characters. Cities. Conversations. Entire worlds that never existed before we started typing. After a while, it can start to feel like writing is a solitary pursuit.

It isn’t. Stories don’t really come alive until someone reads them.

Every now and then I’m reminded of that in a way that cuts through all the solitude — like when Tracy and I are out at a live market selling books. Someone will stop at the table and pick up a book. They’ll flip through the pages. Read the back cover. Maybe ask a question. Sometimes they’ll say something like:

“I stayed up until three in the morning finishing this one.”

Or:

“I loved that character.”

Or my personal favorite:

“You’re terrible. I missed my bus stop because of your book.”

That’s when it hits you. The story doesn’t belong only to the writer anymore. It belongs to the reader.

Readers bring something to the story that the writer never can — their imagination, their life experience, their interpretation of the characters. Two people can read the exact same book and walk away with completely different emotional experiences.

That’s not a flaw. That’s the magic.

When a writer sits down to write, they’re only doing half the job. The other half happens when someone opens the book. When a reader laughs in the right place. Or gasps. Or mutters, “Oh no… don’t do that.” Or keeps turning pages long after they meant to go to sleep.

That’s when the story becomes real.

So if you’re a reader, here’s something I want you to know. You matter. More than you might realize.

Every time you pick up a book, you’re completing the circuit that started when a writer sat down in an empty room and began typing. And every writer I know is grateful for that — even if we don’t say it often enough.

— Mark

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Mark Posey

SRP Author and thriller writer.

Mark Posey is the author of the award-losing Nun With A Gun thrillers*, a series featuring Sister Jacobine, a nun with a habit of making bad people pay. Readers have called the stories “sharp,” “darkly funny,” and “alarmingly satisfying.” The author calls them “therapy with a body count.”  (*No awards were harmed in the writing of this series.)

Mark writes thrillers for readers who don’t mind a little dirt under the nails — stories with emotional weight, lean prose, and characters who rarely do the right thing for the right reason. His work lives somewhere between noir, revenge fantasy, and literary grit, though he avoids calling it any of those because that sounds like marketing.

When he’s not writing fiction, Mark also works as a professional editor and story consultant. His editing blog offers straight talk for indie and traditionally published authors alike — especially the ones who are tired of being told to “find their voice” by people who can’t define what voice is.
He believes in clarity over cleverness, clean narrative over trend-chasing, and that semicolons are fine, but you probably don’t need as many as you think.

He lives in Canada, which explains the politeness, but not the sarcasm.

You can find him online at MarkPoseyAuthor.com, where he blogs about writing, editing, story structure, and whatever else is on fire this week. His books are published through Stories Rule Press, an independent publisher of genre fiction with strong characters and sharp writing.

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