Book launches aren’t dead. But the idea that every new release must carry your entire publishing business is fading fast. Traditional publishing still depends on launch velocity, but indie authors operate under different physics. Solar Sail Theory shifts the focus from short-term sales bursts to building long-term visibility, discoverability, and audience reach. The bigger your sail, the less any single launch can make—or break—your career.
A letter from someone who should have been dead for centuries draws Sister Jacobine back to the ruins of Amesbury Priory and the place where her long, impossible life began. Bones of the Priory started as a contribution to a monster hunter anthology, but it quickly became something more personal—a return to one of my favourite characters and the secrets she has spent five hundred years trying to leave behind.
Discovery matters. Visibility matters. But the most valuable reader you’ll ever have isn’t the one who finds your book. It’s the one who chooses to stay connected after they do. Direct sales aren’t just about revenue—they’re about building relationships that can outlast platforms, algorithms, and marketplace changes.
Readers often wonder whether buying books directly from an author’s website really makes a difference. The answer is simple: it does. Direct sales help fund editing, cover design, and future books, while creating a closer connection between readers and the authors whose stories they enjoy.
One of the oldest arguments in publishing is whether writers should write quickly. Solar Sail Theory approaches the question from a different direction. Every book you publish becomes a discoverability asset: another doorway for readers, another wake spreading across the internet, and another opportunity for luck to find you. Fast(er) writers don’t just produce more books—they build bigger sails.
A retired widower. A community garden. A cast of unforgettable neighbours. While Fall From Grace continues to take shape, Mark Posey has also been nurturing a very different story. The Summer Garden is a warm, character-driven serial about grief, friendship, second chances, and the surprising ways people keep growing long after they think life’s most important seasons have passed.
There’s a fine line between emotional depth and narrative quicksand. Introspective narration can elevate a story into something unforgettable—or bring the pacing to a grinding halt. The difference usually comes down to one question: is the reflection adding something the scene itself cannot? When done well, introspection deepens character and theme. When overused, it turns into literary speed bumps disguised as wisdom.
Excerpt: Writers don’t usually suffer from a lack of ideas—we suffer from too many. Between errands, reminders, story ideas, and random questions, our brains can become so cluttered that writing feels impossible. Here’s how a simple five-minute “brain dump” can clear the mental noise, help you focus, and get you back into the flow of writing.
When writing starts to drag, the problem often isn’t laziness or lack of discipline — it’s that you’ve lost sight of what you’re writing toward. In this post, I explore the “magic cookie” method: finding the one scene, moment, or beat in your story that excites you enough to pull you through the difficult middle. Because sometimes the best cure for procrastination is knowing there’s something wonderful waiting a few chapters ahead.
A hidden network of portals connects our world to another—and for generations, Veilwardens have kept them stable, invisible, and under control. But now the system is faltering. VEILBOUND by Taylen Carver is a standalone fantasy novel that opens the door to a much larger story.
