Tracy Cooper-Posey

Trad vs Indie in 2026, Part II

If Part I was the brutal, unsentimental comparison of trad vs indie — advantages, disadvantages, and the cold math of each — then Part II shifts gears completely. Part II dives into what modern indie publishing actually looks like in 2026, because most writers still imagine the 2013 version: KU gold rushes, cheap ads, write-to-market hamster wheels, and algorithmic rituals. That world is gone. Today’s indie career is a full business model built on direct sales, diversified income, long-tail backlist revenue, platform resilience, and storytelling that can’t be replicated by AI. If you don’t understand this version of indie, you can’t choose your publishing path intelligently — and Part II lays it out without sentimentality, delusion, or nostalgia.

Why I Will Never Give Up My Historical Romances

Why do I cling to historical romance? Maybe it’s the dresses—those gowns that could stop a man dead in his tracks. Maybe it’s the slow-burn tension of a hand brushing a sleeve. Or the sweeping backdrop of revolutions, arranged marriages, and the occasional ghost haunting the manor. Modern love stories don’t usually come with corsets, political chess games, or stolen glances across candlelit ballrooms. Historical romance gives us all that, and then some. Here’s why I’m not giving it up anytime soon.

Trad vs Indie in 2026

Traditional publishing and indie publishing aren’t just two different business models — they’re two different belief systems. Trad authors think they’re building a career as an artist. Indie authors know they’re running a business. In 2026, that mindset divide matters more than ever. With AI flooding the marketplace, platforms deep in enshittification, bookstores shrinking, and rights tied up tighter than a banker’s fist, the only way to make good choices is to understand exactly how each system really works — not how you wish it worked. This is the brutal, unsentimental guide to both paths.

Ningaloo: Deadly, Beautiful, and Still Real

In Ningaloo Nights, the stunning Australian outback isn’t just a backdrop—it’s a character all on its own: beautiful, remote, and deadly if you don’t know what you’re doing. When beta readers questioned whether I’d exaggerated the dangers, I had to assure them—every survival detail in the book is true. Growing up around Ningaloo taught me that nature doesn’t pull punches. But oh, the beauty is worth every ounce of caution.

The Big Kickoff

After thirteen books, too many late nights, and a kingdom’s worth of research, the Once and Future Hearts series is finally drawing to a close — and we’re going out with a bang. For the first time ever, we’re releasing a 13-book hardcover collector’s set, exclusive to Kickstarter. If you’ve loved this saga — or are just discovering it — this is your chance to own the entire series in a beautiful, keepsake edition… and get the final book, Camlann, six months ahead of the public release.

Curious? Click “Notify Me on Launch” and help make some Arthurian magic happen.

Working Harder Starts with Time Off: Why Downtime Isn’t a Luxury (It’s a Strategy)

We all know downtime matters — but most of us don’t actually build it into our week. After a weekend of enforced “no work, just play,” I relearned the surprising truth: downtime isn’t a luxury, it’s a creative strategy. Even ten-minute breaks can reboot your energy and make you want to work harder. Here’s why you need micro-downtime — and how to make it part of your indie life without guilt.

Shopping Basket
Scroll to Top