In this new novelette, Cameron Cooper delivers a thought-provoking and emotionally resonant story that explores the fragile nature of memory—and what happens when it begins to fail on a broader scale.
This is not a story of sudden catastrophe, but of quiet erosion. As memories begin to slip and connections fade, the question becomes not just what is being forgotten—but who.
When I was twelve, I discovered both libraries and science fiction at the same time. The dusty anthologies, John Wyndham, and the town librarians who always knew exactly what I should read next opened an entire universe for me. For Librarian Day, a thank you to the people who quietly changed my life one book at a time.
Excerpt: Science fiction readers are among the people most likely to underestimate the true scale of space. We are so accustomed to faster-than-light drives, wormholes and jump gates that we forget how impossably vast the distances between stars really are. But once a writer decides how long it takes to cross those distances, every other aspect of the story changes—from politics and trade to war, culture and the kinds of stories that can be told at all.
The first quarter of the year has disappeared in a blur of drafts, edits, releases and looming deadlines—business as usual at Stories Rule Press. Mark is deep into the next Thomas Billings thriller, Tracy is preparing new fiction and nonfiction releases, Taylen is starting an all-new fantasy series, and Cameron has another big-concept science fiction novel on the horizon. Different genres, different voices, same mission: story comes first. Always.
Tomorrow is April 1, and space seems to bring out the prankster in all of us. From fake UFO photos and moon-landing conspiracies to astronauts in gorilla suits aboard the International Space Station, the line between hoax and reality can be surprisingly thin. The odd thing is that the real universe is usually stranger—and far more entertaining—than anything we could invent.
Science fiction cinema in 2026 isn’t following the usual blockbuster script. Instead of obvious juggernauts, the year is shaping up to be a mix of risky adaptations, franchise experiments, and quieter films that could surprise everyone. From Project Hail Mary to lesser-known titles flying under the radar, this may be the year sci-fi stops playing it safe—and starts getting interesting again.
Lucasfilm is moving The Mandalorian from Disney+ to the big screen with The Mandalorian and Grogu. But will audiences follow the story from TV to theaters? With many viewers now preferring streaming at home—and with the series built around character arcs rather than blockbuster spectacle—the shift raises an interesting question: are TV and film audiences really interchangeable anymore?
I sat down with a simple goal: find something new to read. Not search for a specific title. Not hunt down an author I already knew. Just browse — the way readers have always done. Twenty minutes later, I gave up. Not because there aren’t books, but because real discovery has quietly vanished. What used to be shelves are now funnels, and finding new science fiction online has become far harder than it should be.
Why do indie author books never show up on “Most Anticipated” lists? It’s not about quality—it’s about how the indie world works. From short release timelines to direct-to-reader communication, indie publishing plays a different game entirely. Here’s why that’s actually a very good thing for readers who love immersive series, creative freedom, and stories that don’t wait for marketing schedules.
Galactic empires are everywhere in science fiction—ruling star systems with absolute power, ripe for rebellion or decay. I’ve written a few myself… and torn them down just as quickly. But why do we keep returning to this political model, especially when it’s always doomed to fall? From Dune to Foundation, and even John Scalzi’s surprisingly heartfelt Collapsing Empire, we seem obsessed with watching these mighty regimes unravel. I’ve got theories. But I’m also genuinely curious what draws readers back to the throneworld.
