Grace O’Malley didn’t just defy the odds—she defied an empire. Born into a world where women were expected to fade quietly into the background, she carved out a life of rebellion, leadership, and high-seas adventure. From commanding a fleet to negotiating with Queen Elizabeth I, Grace rewrote the rules for what a woman could do—and dared anyone to stop her.
This weekend, the four hobbits of Lord of the Rings fame are reuniting at Edmonton EXPO, and while thousands are lining up for a few seconds of face time, I’m staying home with the extended editions and some decent takeout. In a world of high-speed, low-contact fandom, is the convention experience still worth it?
If you’re serious about writing — I mean serious-serious — then at some point you’re going to have to give things up. And not just a Netflix show or two. I mean real, soul-wrenching, this-or-that decisions.
I’ve made them. I gave up socializing. I gave up making clothes and jewelry. I took lower-paid jobs so I’d have the energy to write.
Writing takes time. And if your life is already full, then something else has to go. That’s the reality. You can’t wedge a writing career into the margins of a life that’s already packed.
Every scene in your novel has to earn its keep. If it doesn’t shift a value, reveal character, or drive the plot forward, it’s nothing more than wallpaper—and readers don’t show up for wallpaper. Learn the three tests that will keep your story moving and your readers hooked.
Remember when back-to-school meant fresh pencils, leaky lunchbox thermoses, and polyester outfits instead of Chromebooks and checkout lines? In the 1970s, September was pure chaos and excitement—and we wouldn’t trade it for today’s tech.
Most people think writers live glamorous lives — champagne book launches, exotic research trips, and endless hours of leisure to dream up stories. The truth is a lot less Parisian café and a lot more 4:30 a.m. alarm clocks, fourteen-hour workdays, and muttering at characters who won’t behave while the laundry piles up.
In this post, I pull back the curtain on what writers’ lives really look like, why the myths persist, and how those rosy assumptions can sometimes hurt more than help.
In the early days of indie publishing, simply hitting “publish” could bring in income. Now? Discoverability is a battle, the market is saturated, and writing fiction full-time is a dream that more and more authors are having to compromise. This post digs into why multiple income streams aren’t a failure—they’re the new normal—and how indie authors can adapt without giving up.
Passive voice sneaks into even the sharpest manuscripts, draining life out of your prose and leaving it limp as wet cardboard. Learn how to spot the culprits—“was eaten,” “were taken,” and those sneaky “by” phrases—and flip them into strong, active sentences that keep readers hooked.
Mark’s got three thrilling projects fighting for attention in his brain—another Jacobine adventure, a high-octane Billings sequel, or a brand-new season of Credible Threat. He’s throwing the decision to readers: which story should he dive into next?
What if Amazon collapsed tomorrow? Thousands of exclusive authors would lose their income overnight, and Kindle Unlimited readers would find their go-to content gone. In this speculative thought experiment, I explore how such a collapse would reshape the indie publishing landscape—for authors, readers, and the future of storytelling.
