Indie Publishing

We’re Building Something Better for Readers

Stories Rule Press is becoming more than just a storefront. We’re building a true home base for readers—one where we can offer bundles, special editions, early releases, and a more personal connection to the stories you love. Here’s why we’re shifting our focus toward direct sales and creating a better experience for readers.

The Solar Sail Theory of Indie Publishing

Daily sales are sinking. Organic reach has collapsed. AI-generated sludge is flooding storefronts while retailers tighten their grip on discoverability. Indie authors are being told to do more of everything — more books, more ads, more social media, more platforms — while the systems underneath us become increasingly unstable and hostile.

The Solar Sail Theory of Indie Publishing offers a different approach.

Instead of chasing endless “rocket launch” marketing spikes, authors can build long-term momentum by expanding their discoverable surface area across the internet and in real life, then channeling that attention into owned reader relationships through websites, email lists, and direct sales.

A solar sail doesn’t move through explosive force. It moves by capturing thousands of tiny forces over time.

So can an indie author career.

EVEN MORE TIME KISSED MOMENTS Is Here!

What happens when a ten-year anniversary edition becomes something more? While revisiting the Kiss Across Time series for a special collector release, Tracy Cooper-Posey found herself reflecting not just on the books, but on time itself, storytelling, survival, and the strange roads that lead writers to create the stories readers love. Kiss Across Memories is part memoir, part publishing notebook, and part behind-the-scenes look at one of Tracy’s longest-running series.

The Slow Squeeze: Why It Might Be Time to Reconsider Barnes & Noble

Barnes & Noble didn’t send a warning shot—they sent a deadline. Raise your paperback prices to $14.99 by May 14th, or your books are gone. For indie authors working in short fiction or maintaining deep backlists, that’s not a tweak. It’s a hard stop. And it’s only the latest move in a pattern that’s quietly reshaping who—and what—belongs on the platform. The question isn’t whether these changes are fair. It’s whether your publishing strategy can survive them.

Why We Don’t Chase Trends at Stories Rule Press

Trends come and go. One month it’s a trope, a cover style, or a subgenre everyone is chasing; six months later, the industry has already sprinted off after the next shiny object like a Labrador with three tennis balls and no self-control. At Stories Rule Press, we’ve made a different choice. We pay attention to the market, but we don’t build our catalogue around trends. We start with the story—and whether it’s the kind of world a reader can disappear into and want to return to years later.

Meanwhile, Back at Stories Rule Press…

The first quarter of the year has disappeared in a blur of drafts, edits, releases and looming deadlines—business as usual at Stories Rule Press. Mark is deep into the next Thomas Billings thriller, Tracy is preparing new fiction and nonfiction releases, Taylen is starting an all-new fantasy series, and Cameron has another big-concept science fiction novel on the horizon. Different genres, different voices, same mission: story comes first. Always.

It’s Not About the Authors. It’s About the Stories.

What if the best story you’ll read next isn’t by the author you already know?

That’s the thinking behind a new direction at Stories Rule Press. Instead of focusing only on individual authors, we’re starting to build collections around something bigger: the kinds of stories readers love to fall into.

If you love thrillers, romance, fantasy, suspense—or any story that keeps you reading long past your bedtime—you may be missing books you’d love simply because you haven’t met the other writers behind them yet.

That’s about to change.

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