What if the definition of an indie author hasn’t kept pace with the publishing industry? The principles that built the indie revolution still matter—but the world around them has changed dramatically. It’s time to rethink what independence really means in today’s publishing landscape.
Ever noticed how some books sit half-finished for weeks—or even months—not because you stopped enjoying them, but because life simply got in the way? The best stories are patient. They’re always ready to welcome you back.
What does “All or Nothing” mean to you? For me, it sparked an unexpected question: has anyone actually read every single one of my books? With more than 200 titles across multiple pen names, I’m curious to know if there are any complete collectors out there. If that’s you—or you’re getting close—I’d love to hear from you.
People often imagine independent publishing as a world of elegant offices, literary conversations, and endless coffee. The reality is rather more chaotic. One moment you’re the publisher, the next you’re fixing EPUBs, answering customer emails, wrestling with accounting reports, or hunting down invisible formatting errors. It’s a juggling act—but somehow, it’s still one of the most rewarding jobs there is.
Solar Sail Theory isn’t about finding stronger sources of momentum. It’s about becoming better at capturing thousands of weak sources of momentum that already exist.
One newsletter subscriber won’t change your life. One podcast appearance won’t transform your business. One new reader or conference conversation or bookstore event won’t either.
Individually, they’re almost insignificant.
That’s why the sail is enormous.
Writers rarely work on just one book at a time. While readers see the finished novel, there’s often an entire queue of stories in progress behind it—drafts, edits, serials, and ideas waiting for their turn. Here’s a look at what’s currently occupying my writing desk this summer, from new thriller adventures to ongoing serial fiction and the next novel waiting in the wings.
Readers often wonder whether buying books directly from an author’s website really makes a difference. The answer is simple: it does. Direct sales help fund editing, cover design, and future books, while creating a closer connection between readers and the authors whose stories they enjoy.
Some of the most important things in life begin as something small and uncertain. A packet of seeds. A first chapter. A conversation. Standing in the garden this spring, watching green shoots push through the soil, reminded me that growth is often invisible until suddenly it isn’t—and that the things we plant today may become far more than we ever imagined.
A retired widower. A community garden. A cast of unforgettable neighbours. While Fall From Grace continues to take shape, Mark Posey has also been nurturing a very different story. The Summer Garden is a warm, character-driven serial about grief, friendship, second chances, and the surprising ways people keep growing long after they think life’s most important seasons have passed.
The indie gold rush is over. Publishing today feels less like striking it rich and more like pulling a plow through hard ground. Algorithms shift, discoverability shrinks, AI sludge floods storefronts, and the easy momentum is gone. But maybe that’s not a bad thing. Because hard eras reveal what actually matters: endurance, adaptability, direct relationships with readers, and authors willing to keep moving even when the road gets muddy. Welcome to publishing’s horse era.
