December 2025

The Big Kickoff

After thirteen books, too many late nights, and a kingdom’s worth of research, the Once and Future Hearts series is finally drawing to a close — and we’re going out with a bang. For the first time ever, we’re releasing a 13-book hardcover collector’s set, exclusive to Kickstarter. If you’ve loved this saga — or are just discovering it — this is your chance to own the entire series in a beautiful, keepsake edition… and get the final book, Camlann, six months ahead of the public release.

Curious? Click “Notify Me on Launch” and help make some Arthurian magic happen.

Pretty But Wrong: The Problem With Fantasy Town Maps

Towns don’t just pop into existence because a hero needs a tavern. They grow around water, trade routes, resources—and they carry the scars of their own history. As a writer (and a lifelong map nerd), I can’t help studying fantasy town maps like archaeological sites. If the layout doesn’t tell me why the town exists, where it started, or how it grew, then something’s missing. Let’s talk about crooked streets, suspicious bridges, and why Hobbiton is pretty but perplexing.

Working Harder Starts with Time Off: Why Downtime Isn’t a Luxury (It’s a Strategy)

We all know downtime matters — but most of us don’t actually build it into our week. After a weekend of enforced “no work, just play,” I relearned the surprising truth: downtime isn’t a luxury, it’s a creative strategy. Even ten-minute breaks can reboot your energy and make you want to work harder. Here’s why you need micro-downtime — and how to make it part of your indie life without guilt.

Superheroes, Sanderson, and the Genre Spectrum

Brandon Sanderson is stepping into science fiction with Tailored Realities, and at the same time, I’ve been watching Daredevil: Reborn — a superhero story that feels a lot more like fantasy than you’d expect. It got me thinking: where do superhero stories fall in the speculative spectrum? Is sci-fi and fantasy really a spectrum at all? This week, I’m diving into how genre boundaries are shifting, and what that means for readers, writers, and masked vigilantes alike.

Mind Your @#$%& Mouth: Swearing in Fiction (And How Not to Mess It Up)

Writers love to worry about swearing — usually more than their characters do. The truth? Profanity isn’t “good” or “bad.” It’s a tool. A sharp one. Used well, it cuts cleanly through tension, reveals character, or snaps a moment into focus. Used poorly, it just bleeds all over the page.
In this post, Mark breaks down when swearing works, when it absolutely doesn’t, how genre affects your choices, and why every curse word has to be earned. If your characters are going to swear, make sure they mean it.

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