Author name: Mark Posey

What We’ve Been Watching Lately (And Why I Can’t Stop Thinking About It)

Lately, Tracy and I have been watching The Americans, and it has completely hooked us. Not because of the spy story—although that’s excellent—but because everything about it feels real. The relationships are messy, the choices are complicated, and the 1980s setting feels lived in instead of staged. It’s the kind of show that doesn’t just entertain you for an hour. It lingers afterward and leaves you wondering what you would have done in the same situation.

The #1 Problem I See in Manuscripts Right Now

The most common problem I see in manuscripts right now isn’t bad prose or weak dialogue. It’s stories where the protagonist could simply walk away—and nothing meaningful would happen. If your character can shrug and go home, they probably should. So why don’t they?

Five Movies That Prove Story Always Wins

Some movies adapt a book. A rare few understand it. From Stand By Me to The Bourne Identity, these are five films that prove story always matters more than spectacle, budget, or special effects.

It’s Not About the Authors. It’s About the Stories.

What if the best story you’ll read next isn’t by the author you already know?

That’s the thinking behind a new direction at Stories Rule Press. Instead of focusing only on individual authors, we’re starting to build collections around something bigger: the kinds of stories readers love to fall into.

If you love thrillers, romance, fantasy, suspense—or any story that keeps you reading long past your bedtime—you may be missing books you’d love simply because you haven’t met the other writers behind them yet.

That’s about to change.

Why Stand By Me Still Works (When So Many Stories Don’t)

Why does Stand By Me still hit forty years later when so many stories vanish almost as soon as the credits roll? Because it isn’t built on spectacle or plot twists. It’s built on emotional truth. Four boys, one long walk, and a story that trusts us to care about the people more than the destination. That’s a rare thing. And maybe that’s why it still works.

Your Editor Isn’t Waiting—And That’s a Good Thing

If you’re waiting until your manuscript is finished before thinking about editing, you’re already behind. Editors don’t work on demand—they book weeks or months in advance to give every project the attention it deserves. The writers who stay on track? They treat editing as part of their production pipeline, not the final step.

Sorry About the Lost Sleep

Ever sit down with a book thinking you’ll read just one chapter before bed… and suddenly it’s 2:03 a.m.? Mark Posey confesses why those “just one more chapter” moments are sometimes a little bit deliberate—and why writers secretly love hearing about them.

Before You Send Your Manuscript to an Editor

Typing “The End” feels like the finish line—but it’s actually the start of the next phase. Before you send your manuscript to an editor, there’s important work to do first. Let the story rest, read it again with fresh eyes, fix the obvious issues, and understand what type of editing your book really needs. The more polished your manuscript is before it reaches an editor, the more valuable—and effective—the editing process will be.

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