A massive bridge in China that cuts a two-hour journey down to two minutes looks like something from science fiction. But perhaps that’s the point. Humanity has a long history of turning the impossible into ordinary infrastructure — and if we can build wonders like this on Earth, what might we eventually achieve in space?
An entire capital city packed onto a single tiny island in the middle of the Indian Ocean, with barely an inch to spare. Looking at aerial photos of Malé, the capital of the Maldives, it’s impossible not to wonder about the fragility of cities, civilization, and the strange places human beings insist upon calling home.
Thirty years after A Game of Thrones changed fantasy forever, it’s worth asking what the genre gained — and what it may have lost along the way. From the rise of grimdark and political fantasy to sprawling epic series and morally compromised heroes, George R. R. Martin’s influence is impossible to ignore. But as fantasy readers increasingly rediscover wonder, heroism, and adventure, has the pendulum finally begun swinging back?
What happens when fantasy creators stop feeling like ordinary authors and actors and begin to resemble legends themselves? From Tolkien’s mythic life story to Christopher Lee’s astonishing wartime history and larger-than-life presence, fantasy fandom has a habit of turning its creators into part of the mythology. On Biographer’s Day, we take a look at why fantasy readers love biographies almost as much as they love dragons.
May 2nd marks the anniversary of the Battle of Hogwarts—one of the rare moments in fantasy with a date you can circle on a calendar. But most fictional battles don’t come with anniversaries. Some feel like they should. Others might not have happened at all. And a few… aren’t the sort anyone would want to remember too closely. Which raises an interesting question: in fantasy, what actually makes a battle worth remembering?
Vampires are supposed to be timeless—but what happens when fashion isn’t? From immortal bad hair days to the evolution of vampire fiction itself, this post revisits an old idea with fresh eyes…and proves that no matter what publishers say, readers will never fall out of love with a good vampire.
Fantasy author Danielle L. Jensen recently pushed back against the “romantasy” label, arguing that it reduces complex fantasy novels to “there was kissing, therefore clearly dragons are optional.” She is not alone. Fantasy romance has always demanded that writers master two genres at once: not just the emotional arc of a romance, but also worldbuilding, magic, politics, danger and impossible choices. So why has a catchy nickname managed to make the genre sound smaller, sillier and less serious than it really is?
There was a time when fantasy looked outward, toward lost kingdoms and blank spaces on the map. Today, with the world thoroughly mapped and disappointingly short on hidden plateaus full of dinosaurs, fantasy has shifted its secrets elsewhere. Now the lost world waits behind a locked door in the back of a library, or on a shelf in a bookshop that was not there yesterday.
Does fantasy really need to be grimdark to feel “serious”? I’m not convinced. There is a difference between a story that is painful and one that is hopeless—and somewhere along the way, fantasy seems to have forgotten it.
Excerpt: Science fiction readers are among the people most likely to underestimate the true scale of space. We are so accustomed to faster-than-light drives, wormholes and jump gates that we forget how impossably vast the distances between stars really are. But once a writer decides how long it takes to cross those distances, every other aspect of the story changes—from politics and trade to war, culture and the kinds of stories that can be told at all.
