Why do authors put their characters through hell? Because without conflict, there’s no story. In Confessions of a Sadistic Author, Mark explains why Jacobine, Billings, and the rest of his cast are constantly battered and bruised — and why their scars make them unforgettable.
From SRP Author Mark Posey: Well, my friends, the ballots have been counted, the hanging chads examined, and unlike certain
One of the perks of writing thrillers is getting to torture characters. Jacobine makes me work harder—she’s deadly, clever, and never blinks. Billings, though, is convinced he’s in control…until the floor drops. Who’s more fun to torment: the nun with a gun, or the cocky spook?
Mark’s desk is overflowing with thrillers, Jacobine adventures, anthology deadlines, and even a dash of erotica. Add in a Kickstarter campaign, real-world book selling, and you’ve got the “good kind of busy.” Coffee recommended.
If you haven’t heard of X Company, you’re not alone—but you’re missing out. This Canadian World War II spy drama combines gut-twisting espionage with quiet, powerful romance in a way that still haunts me years after watching. The storytelling is sharp, the characters unforgettable, and the romantic tension? Off the charts. Don’t let the soft-focus promo poster fool you—this one pulls no punches.
Passing for local could be life or death. A British spy in WWII might lose everything over the way a button was sewn, or how he held up three fingers. It’s the tiniest details that betray us—on the battlefield, in foreign lands, or even just trying to order coffee after moving countries. Trust me: I’ve lived it. The wrong Tuesday nearly gave me a migraine.
Can we talk about the death grip serial killers have on romantic suspense?
Why am I talking about pulp fiction? (No, not the movie — which got its name from Tarantino’s inspiration for the story.)
Two reasons: Classic SF got its start in the pulp magazines. And my Ptolemy Lane Tales series was my nod to classic hardcore pulp fiction.
Classic pulp stories are often decried for their simplicity and dependence upon erotic elements to move copies. The criticism overlooks one of the primary functions of pulp stories: They were written to entertain.
And my god, they did that in spades.
At their peak of popularity in the 1920s and 1930s, the most successful pulps could sell up to one million copies per issue. In 1934, Frank Gruber (writer) said there were some 150 pulp titles.*
Have you ever been curled up with a romantic suspense novel, flipping pages like your life depended on it, and paused just long enough to wonder, Wait, do all bullets do the same thing? No? Just me?
Today, SRP author Mark Posey released a short story in a new A Gathering of Stories anthology: St. Patrick’s Day.
