The “fast = crap” myth is creeping back into author circles—and it’s time to shut it down. Whether you write fast, slow, or somewhere in between, what matters is craft, not the clock. This post unpacks why speed doesn’t equal sloppiness, how believing otherwise can harm your writing, and what the Artisan Author mindset really means. Spoiler: it’s not “write slow or else.”
In the early days of indie publishing, simply hitting “publish” could bring in income. Now? Discoverability is a battle, the market is saturated, and writing fiction full-time is a dream that more and more authors are having to compromise. This post digs into why multiple income streams aren’t a failure—they’re the new normal—and how indie authors can adapt without giving up.
What if Amazon collapsed tomorrow? Thousands of exclusive authors would lose their income overnight, and Kindle Unlimited readers would find their go-to content gone. In this speculative thought experiment, I explore how such a collapse would reshape the indie publishing landscape—for authors, readers, and the future of storytelling.
Mark’s desk is overflowing with thrillers, Jacobine adventures, anthology deadlines, and even a dash of erotica. Add in a Kickstarter campaign, real-world book selling, and you’ve got the “good kind of busy.” Coffee recommended.
Juggling multiple pen names, a production pipeline, and the occasional bout of procrastination takes more than just caffeine and stubbornness—though those help. In this post, I break down exactly how I manage my writing and publishing schedule, from rotating pen names to keeping six+ books in postproduction at once. I also explain why I never write more than one book at a time and how I use a 300-step checklist to keep my head (mostly) attached.
I thought I was stuck at 1,200 to 1,300 words per hour because I had been for years. But I wasn’t. I was just telling myself I was. This month, I’ve finished one book, written another in nine days, and started plotting a third—all while juggling a demanding side gig. If you think you can’t write faster, maybe it’s time to stop believing that.
“Futa fiction comes from the Japanese term futanari, and generally refers to erotic fiction where characters have both male and female anatomical features. It’s niche, it’s quirky—and it’s a perfect example of how wonderfully fractured fiction has become. These days there’s a sub-genre for every taste… and half the fun is discovering something new.”
“At its heart, this book offers a liberating proposal: don’t play the game as it’s currently defined. Walk away from algorithm worship, punishing release schedules, and the grind of selling at 99 cents to churn-hungry subscription readers. Instead, write what you want to write, at the pace that suits you, and charge a fair price for your work.”
The editor-author relationship is professional and reciprocal: clear, honest feedback from the editor, and respect and understanding from the author. In the end, it’s your book — but professional editing comes with professional expectations.
“Writing short stories started as a clever way to outsmart publishing algorithms, but it quickly became a passion. They’re fast, fierce, and let me explore parts of my worlds that novels can’t always reach.”
