Finding a genuinely good book is becoming harder—not because great stories no longer exist, but because readers are being buried under rushed, low-quality content designed to game algorithms instead of move people. At Stories Rule Press, every book is still built the old-fashioned way: by real authors who care deeply about storytelling, characters, and giving readers an experience worth remembering.
Readers are becoming more selective—and that may be very good news for skilled storytellers. In a marketplace flooded with rushed and disposable content, craftsmanship matters more than ever. Readers aren’t just consuming words. They’re investing trust. And trust is earned one sentence, one scene, and one book at a time.
Some years are quieter than others. Some years are meant for rest.
And some years? Some years hand you a shovel, a wheelbarrow, and a horizon full of work worth doing.
In this reflective new post, Mark Posey writes about turning sixty, building twenty raised garden beds, rebuilding the future of Stories Rule Press, and why this season of life feels less about chasing and more about building — steadily, patiently, one load of compost at a time.
Before NASA trusted electronic computers, they trusted Katherine Johnson. Hidden Figures introduced millions to the brilliant mathematician whose calculations helped send astronauts into orbit and eventually to the moon. But the real story is even more astonishing than the movie. From quietly defying segregation to becoming the woman John Glenn personally trusted with his life, Katherine Johnson’s career reveals how history often overlooks the people doing its most essential work.
What happens when fantasy creators stop feeling like ordinary authors and actors and begin to resemble legends themselves? From Tolkien’s mythic life story to Christopher Lee’s astonishing wartime history and larger-than-life presence, fantasy fandom has a habit of turning its creators into part of the mythology. On Biographer’s Day, we take a look at why fantasy readers love biographies almost as much as they love dragons.
Everyone says engagement matters more than email list size. I believed that once—and it cost me thousands of dollars. Fiction readers don’t behave like SaaS customers or productivity buyers. They hibernate, sometimes for years, then suddenly wake up and binge-buy an entire series. Here’s why aggressively scrubbing “inactive” subscribers may be one of the worst mistakes fiction authors can make, and how this realization became a core part of my Solar Sail Theory of indie publishing.
The new Dune 3 trailer should have filled me with anticipation. Instead, it left me uneasy. Not because Denis Villeneuve lacks skill as a filmmaker—far from it—but because the films seem determined to undercut Paul Atreides’ triumph before it ever truly lands. Which raises a larger question: Have modern storytellers become afraid of heroic endings? From Dune to grimdark fantasy to prestige science fiction, modern stories increasingly distrust hope, sincerity, and unapologetic victory. But is that really what audiences want—or simply what the industry keeps giving them?
Stories Rule Press is becoming more than just a storefront. We’re building a true home base for readers—one where we can offer bundles, special editions, early releases, and a more personal connection to the stories you love. Here’s why we’re shifting our focus toward direct sales and creating a better experience for readers.
There’s a fine line between emotional depth and narrative quicksand. Introspective narration can elevate a story into something unforgettable—or bring the pacing to a grinding halt. The difference usually comes down to one question: is the reflection adding something the scene itself cannot? When done well, introspection deepens character and theme. When overused, it turns into literary speed bumps disguised as wisdom.
Sunday mornings used to be about sleeping late, catching up, or feeling guilty about everything still left undone. These days, they’re quieter. Coffee in the kitchen. Music playing softly. Conversations that drift between the new, the familiar, and the things you somehow keep revisiting after decades together. Outside, twenty raised garden beds wait for spring planting, which may be ambition or madness. Possibly both.
