Most readers remember C.S. Lewis for The Chronicles of Narnia. I remember him for his science fiction. On his birthday, I’m looking back at the Space Trilogy and the remarkable way Lewis used speculative fiction not to predict the future, but to challenge how we see ourselves—and humanity’s place in the universe.
Sometimes publishing throws you a delightful curveball.
A few weeks ago I mentioned that my new fantasy short story, “Sigils in Snow,” had been accepted for the Street Magic IV anthology. I expected to tell you about it later this summer.
Instead…it’s available today!
Readers are smarter than many writers give them credit for. When we explain every emotion, clue, or joke, we take away one of reading’s greatest pleasures: discovering the story for themselves. Sometimes the best editing advice is also the simplest—trust your reader.
Ever noticed how some books sit half-finished for weeks—or even months—not because you stopped enjoying them, but because life simply got in the way? The best stories are patient. They’re always ready to welcome you back.
What does “All or Nothing” mean to you? For me, it sparked an unexpected question: has anyone actually read every single one of my books? With more than 200 titles across multiple pen names, I’m curious to know if there are any complete collectors out there. If that’s you—or you’re getting close—I’d love to hear from you.
Most people know about the Dark Ages that followed the fall of Rome. Far fewer realise there was another, even earlier collapse that wiped out kingdoms, shattered civilizations, and left historians scratching their heads three thousand years later. Discover how the mysterious Bronze Age Collapse—and the equally mysterious Sea Peoples—inspired the hidden history behind the Magorian & Jones series.
I finished S.J. Morden’s One Way and immediately bought the sequel—not because I liked the protagonist, but because I had to know what happened next. It also reminded me that hardboiled and noir aren’t the same thing, and why that distinction explains Ptolemy Lane far better than I ever realized while writing him.
People often imagine independent publishing as a world of elegant offices, literary conversations, and endless coffee. The reality is rather more chaotic. One moment you’re the publisher, the next you’re fixing EPUBs, answering customer emails, wrestling with accounting reports, or hunting down invisible formatting errors. It’s a juggling act—but somehow, it’s still one of the most rewarding jobs there is.
Readers are remarkably good at putting two and two together. Yet many writers, worried that a character’s emotions or motivations might not be obvious enough, add a sentence explaining what the reader has already understood. Those explanations rarely add clarity—they usually weaken the scene. Here’s how to recognize when you’re explaining the obvious, and when an explanation genuinely earns its place.
Some writing obstacles aren’t plot problems or lack of inspiration—they’re upholstered. After unexpectedly finishing an entire chapter of Fall From Grace in a single day, I discovered the biggest difference wasn’t my writing. It was where I sat. The recliner I’d always considered a harmless pre-writing stop had quietly become the world’s most comfortable procrastination machine.
