Big explosions are fun, but they’re not what makes a thriller truly terrifying. The real fear hides in the silence—the still moments when nothing’s happening, yet you know something’s about to. From No Country for Old Men to Saving Grace, Mark Posey explores why quiet scenes hit harder than gunfire—and why the pause before the door opens is the scariest sound of all.
We think hitting our goals will make us happy—but for creative work, the real joy is in the struggle. Pressure and constraints aren’t obstacles; they’re the fuel. This post explores why the box is the point, and what to do when it starts to feel too tight.
Stories Rule Press author Tracy Cooper-Posey today releases the eighth book in her popular Science Fiction Romance series, The Endurance.
Writing a story without understanding your main character’s arc is like driving cross-country blindfolded — you might arrive somewhere, but odds are it won’t be where you meant to go. Every protagonist travels an emotional and psychological path, changing (or refusing to change) because of the story’s events. When you understand that inner journey — and how it collides with the outer, plot-driven one — every scene gains purpose, every choice deepens meaning, and your rewrite count drops dramatically. Know your hero’s lie, the truth they need to learn, and what the story will throw at them to force that transformation. Everything else flows from there.
Disappearing isn’t about vanishing—it’s about confidence. From Angelina Jolie’s cool-headed makeover in Salt to Natasha Romanoff’s mall-date sleight of hand, the best spies don’t run; they blend. In fiction, that kind of composure is thrilling to watch—and in Fall From Grace, Thomas Billings is about to need every trick in the book.
I never thought I’d watch a Predator movie—let alone enjoy one—but Prey surprised me. With a strong female lead, solid storytelling, and just enough alien menace, it turns out brains and grit can outmatch gore and tech. If you’ve avoided the franchise like I did, this might be the one to try.
A “reasonable” villain might seem believable—but it’s also the fastest way to kill tension in your story. The best antagonists aren’t fair opponents; they’re towering, terrifying forces that make the hero dig deep and evolve. From Goliath to the Borg, it’s the impossible odds that make victory unforgettable.
Back in the trenches: I’ve started writing Fall From Grace, Book 2 in the Thomas Billings thrillers. Thomas and Grace head to London for an audience with the Queen—then get yanked into Establishment crosshairs. Expect chases, betrayals, and the kind of moral gray that leaves even “good guys” guessing.
The Claddagh ring may look simple — a heart, two hands, and a crown — but it carries centuries of meaning, folklore, and a touch of mystery. From pirate legends to Roman rings, here’s how one tiny piece of jewellery became a symbol of love, loyalty, and storytelling.
Wales has been haunting my stories for years — not literally (though that would be on-brand), but mythically. From the Mabinogion to my Welsh grandfather’s voice, the land and legend of Cymru have steeped themselves into my writing. If you’ve read Magorian & Jones, you’ve heard the echoes. And no, I don’t plan to stop.
