Sometimes the stories we’re most excited about are the ones we forget to talk about. For months, I’ve been quietly publishing The Summer Garden every Sunday on Substack—a gentle serial about grief, friendship, second chances, and the unexpected community found in a neighborhood garden. If you haven’t discovered Scotty and the residents of Mill Creek Community Garden yet, now’s the perfect time to step through the gate.
Readers are smarter than many writers give them credit for. When we explain every emotion, clue, or joke, we take away one of reading’s greatest pleasures: discovering the story for themselves. Sometimes the best editing advice is also the simplest—trust your reader.
Ever noticed how some books sit half-finished for weeks—or even months—not because you stopped enjoying them, but because life simply got in the way? The best stories are patient. They’re always ready to welcome you back.
People often imagine independent publishing as a world of elegant offices, literary conversations, and endless coffee. The reality is rather more chaotic. One moment you’re the publisher, the next you’re fixing EPUBs, answering customer emails, wrestling with accounting reports, or hunting down invisible formatting errors. It’s a juggling act—but somehow, it’s still one of the most rewarding jobs there is.
Readers are remarkably good at putting two and two together. Yet many writers, worried that a character’s emotions or motivations might not be obvious enough, add a sentence explaining what the reader has already understood. Those explanations rarely add clarity—they usually weaken the scene. Here’s how to recognize when you’re explaining the obvious, and when an explanation genuinely earns its place.
Some writing obstacles aren’t plot problems or lack of inspiration—they’re upholstered. After unexpectedly finishing an entire chapter of Fall From Grace in a single day, I discovered the biggest difference wasn’t my writing. It was where I sat. The recliner I’d always considered a harmless pre-writing stop had quietly become the world’s most comfortable procrastination machine.
After twelve novels and a novella, the journey comes to its conclusion. Camlann, the final novel in Tracy Cooper-Posey’s acclaimed Once and Future Hearts series, is now available from Stories Rule Press and all major retailers.
Every writer thinks the manuscript is in pretty good shape—right up until the editorial feedback arrives. From confidence and outrage to revision, gratitude, and complete memory loss, here are the twelve stages writers cycle through when an editor gets involved.
A thriller writer’s Google search history can look alarmingly criminal—especially when questions about silencers, DNA and extradition sit beside tomato varieties, bitter cucumbers and homemade hummus.
What makes a book unforgettable? It often isn’t the plot—it’s the people. The characters who quietly step onto the page, feel completely real, and stay with us long after we’ve finished the final chapter.
