Most writers love writing but dread rewriting. Yet revision isn’t evidence the first draft failed—it’s where good stories become great ones. Like weeding a garden, editing isn’t about destroying what you’ve grown. It’s about giving the best parts room to flourish.
Writers rarely work on just one book at a time. While readers see the finished novel, there’s often an entire queue of stories in progress behind it—drafts, edits, serials, and ideas waiting for their turn. Here’s a look at what’s currently occupying my writing desk this summer, from new thriller adventures to ongoing serial fiction and the next novel waiting in the wings.
Serial fiction may look old-fashioned, but today’s audiences consume serialized stories everywhere—from television and podcasts to newsletters and streaming platforms. As publishing tools evolve, serialization offers new ways for readers to discover stories, engage with characters over time, and become part of an ongoing reading experience.
Most writers think of serial fiction as a publishing format. Mark Posey argues it is something even more valuable: a practical lesson in storytelling craft. Because every installment must earn a reader’s return, serial fiction exposes weaknesses in pacing, structure, and chapter endings that can hide inside a completed novel. The skills it teaches—curiosity, momentum, and reader engagement—strengthen every form of storytelling.
What if waiting for the next chapter isn’t a flaw in storytelling, but one of its greatest pleasures?
In a world built around instant gratification, serial fiction offers something different: anticipation. Readers spend time with characters, speculate about what comes next, and let stories become part of the rhythm of their week. As The Summer Garden continues and Credible Threat: Season One joins it, Mark Posey reflects on why the joy of not turning to the last page may be more valuable than ever.
Every reader matters, no matter where they buy our books. But direct sales give independent publishers something special: the ability to invest more in new stories, create exclusive editions, and build stronger relationships with readers. Here’s why buying direct makes such a difference.
Discovery matters. Visibility matters. But the most valuable reader you’ll ever have isn’t the one who finds your book. It’s the one who chooses to stay connected after they do. Direct sales aren’t just about revenue—they’re about building relationships that can outlast platforms, algorithms, and marketplace changes.
Readers often wonder whether buying books directly from an author’s website really makes a difference. The answer is simple: it does. Direct sales help fund editing, cover design, and future books, while creating a closer connection between readers and the authors whose stories they enjoy.
We spend a lot of time talking about launches in publishing. Launch week. Launch numbers. Launch strategies. But publishers eventually learn something authors often overlook: books aren’t just products. They’re plants. Some flourish immediately. Others take years to reach their full potential. The real strength of a publishing business isn’t found in a single launch—it’s found in a backlist that keeps growing, season after season.
Every story has a plot. A detective solves a murder. A spaceship crew saves a colony. A retired man plants tomatoes. But the stories readers remember long after the last page are rarely about those events alone. Beneath the plot lies a deeper story—the emotional truth, the question being explored, the reason the story resonates. As an editor, one of the most important questions I can ask is: What is this story really about?
