New Paranormal Women’s Fiction Release from Tracy Cooper-Posey
Today, SRP author Tracy Cooper-Posey has released the second book in her paranormal women’s fiction series, Witchtown Crossing.
Today, SRP author Tracy Cooper-Posey has released the second book in her paranormal women’s fiction series, Witchtown Crossing.
Sometimes, a setting sneaks up on you. It’s not the glittering castle or the misty forest that sparks the story,
So, I’ve been in a bit of a spiral lately. You know how it goes. You start off with “What happens if the economy tanks?” and four hours later, you’re elbow-deep in a John Michael Greer blog post about catabolic collapse and wondering if it’s time to start hoarding seeds.
I haven’t posted here in a couple of weeks, and there’s a good reason for that. Actually, there are several.
So, Worldcon 2025 is making headlines, but not the kind you’d put on the back of a Hugo-winning novel. The organizing committee decided to use ChatGPT to help vet over 1,300 panelist submissions. They intended to streamline the flood of applications, maybe catch a few red flags, keep things moving.
Except it’s not going well.
SRP author Cameron Cooper today released a new alternative history, near future SF novella, Quiet Like Fire.
Hot plum pudding with brandy sauce. Pumpkin pie, fresh out of the oven, melting into the custard. Home-baked cookies, or a cake cooling on the counter. You can smell them before you even see them.
Or maybe it’s red wine steeped with cinnamon and cloves—the siren song of mulled wine calling you home on a winter’s night.
Croissants in Paris, still warm, with real butter and even more real European coffee—dark, rich, and blessed with that smoky caramel scent you only get from beans grown halfway across the world.
Roasts. Gravy. Toasted bread. Spiced fruit. Deep-fried anything.
Where ancient evils, dark sorcerers, and disgruntled viziers gather to vent, plot, and maybe—just maybe—heal.
Ah yes, that question. “Why do you write?”
It’s one of those that gets asked a lot—especially in writing forums, interviews, and on the back covers of literary memoirs, usually printed in italics for some reason. It can feel a bit… woo-woo. As if the answer should be sacred and profound. (“Because the Muse demands it, obviously.”)
But the truth? Your “why” is probably a lot more practical, changeable, and occasionally downright grubby than the question makes it sound.
There are some books in science fiction that never seem to fade. Dune. Foundation. The Left Hand of Darkness. Decades later, we’re still reading them, studying them, arguing about them. They’ve carved out a permanent space on the shelf—and not just for their fans, but for the genre itself.
So what is it that makes a book a “classic”?