Fairies aren’t small, sweet, or safe. In modern fantasy, the Fae are terrifying, full-sized, and operating on their own brutal logic. From Charlaine Harris to Holly Black, this post explores the sharp-toothed truth behind the folklore—and why I prefer my fairies dangerous.
Power without a price feels like cheating—and in fantasy, magic that costs nothing tends to mean nothing. Whether it’s burning memories, painful transformations, or the slow hollowing of a hero, the best magic systems leave a mark. Let’s talk about why magic should hurt—and what that says about the stories we can’t stop reading.
The Rings of Power has always been a show that rewards patience — and, frankly, rewatching. The source material Amazon is allowed to adapt is more historical chronicle than narrative, yet the series has managed to turn Tolkien’s footnotes and timelines into emotionally grounded drama that gets better each time you revisit it. With a freshly overhauled writers’ room and Season 3 diving into the forging of the One Ring, now feels like the moment the show might step fully into its potential.
Tired of feeling locked into a single ebook platform? Now is the perfect time to start building a digital library that’s truly yours. Learn how to take control of your ebook collection, manage it with Calibre, and free your books from retailer restrictions.
Dark fantasy might be having a moment, but it’s not one I’m celebrating. I don’t write sweetness and light — but I do believe in redemption, earned endings, and characters who grow. Here’s why stories full of “losers losing” just don’t do it for me.
Towns don’t just pop into existence because a hero needs a tavern. They grow around water, trade routes, resources—and they carry the scars of their own history. As a writer (and a lifelong map nerd), I can’t help studying fantasy town maps like archaeological sites. If the layout doesn’t tell me why the town exists, where it started, or how it grew, then something’s missing. Let’s talk about crooked streets, suspicious bridges, and why Hobbiton is pretty but perplexing.
I’ve been obsessed with maps since before I knew what fantasy was. The kind you unfold like treasure, with winding rivers, tiny illegible place names, and the promise of ancient secrets hidden in the margins. In my own stories, the map comes first—and sometimes refuses to budge. Which is probably why I have strong feelings about Tolkien’s very tidy mountain problem. Let’s talk about the beauty, the lies, and the suspicious tectonics of fantasy cartography.
Two original stories from Taylen Carver—Roots of the Storm and Sylvalight—are eligible for the 2026 Hugo, Nebula, Aurora, and Dragon Awards. If you’re nominating this year, here are the details.
Wales has been haunting my stories for years — not literally (though that would be on-brand), but mythically. From the Mabinogion to my Welsh grandfather’s voice, the land and legend of Cymru have steeped themselves into my writing. If you’ve read Magorian & Jones, you’ve heard the echoes. And no, I don’t plan to stop.
With rumors swirling about The Rings of Power’s potential cancellation, I’m wondering if it’s not a quality issue—but a saturation one. Are lush, expensive fantasy series struggling simply because there’s too much content and too little attention to go around?
